Transformasi Spiritual Dalam Ucap-Ucap Rangda Pementasan Napak Pertiwi Pura Dalem Penataran Banjar Taman Sari Sanur

Authors

  • Ida Ayu Intan Agustiari Manuaba Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
  • I Made Dian Saputra Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
  • I Putu Suweka Oka Sugiharta Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

DOI:

https://doi.org/10.37329/metta.v6i2.5448

Keywords:

Rangda Ucap-Ucap, Sesolahan Napak Pertiwi, Spiritual Transformation

Abstract

Sesolahan Napak Pertiwi at Pura Dalem Penataran is a sacred artistic practice that combines religious expression, the aesthetics of Barong-Rangda dance drama, and the preservation of the Balinese language. One important element in this performance is ucap-ucap Rangda, which functions not only as a dramatic element, but also as a sacred expression containing literary, symbolic, and spiritual values. This study aims to describe the formation process of ucap-ucap Rangda, the meanings and signs contained within it, and the spiritual conditions that emerge during the implementation of Sesolahan Napak Pertiwi. This research applies a qualitative approach supported by structuralism theory and spiritual transformation theory. Data were collected through observation, interviews, documentation, and literature study, then analyzed descriptively through data reduction, data presentation, and conclusion drawing. The results show that ucap-ucap Rangda was formed through a process of traditional inheritance related to the history of the performance and the repeated use of sacred lyrics in a ritual context. Ucap-ucap Rangda contains distinctive linguistic structures, symbols of religious power, and spiritual signs that connect the performance with the beliefs of its supporting community. Furthermore, the spiritual conditions in Sesolahan Napak Pertiwi appear in four stages: initial awareness, purification, transcendental experience, and realignment. These stages indicate an inner transformation from self-preparation toward sacred unity and finally a return to socio-religious balance. This study concludes that Sesolahan Napak Pertiwi serves not only as a sacred performance, but also as a medium for preserving the Balinese language, transmitting spiritual values, and strengthening local cultural identity.

References

Brahmandika, P. G. (2025). Balinese Ritual Language As A Representation Of Cultural Identity: A Linguistic Anthropology Approach. Cangkal: Jurnal Ilmu Sosial dan Humaniora, 1(1), 161-165.

Brahmandika, P. G., & Gotama, P. B. A. P. (2024). Ratu Ayu (Rangda) Dan Ratu Gede Barong: Proses Pembuatan, Ngrehang, Napak Pertiwi Dalam Sakralisasi Desa Adat Angantelu Kajian Sastra Hindu Bali. Lampuhyang, 15(2), 16-37.

Darmawan, I. P. A. (2025). Estetika Dalam Tradisi Sakral: Telaah Filosofis Atas Praktik Ritual Di Desa Gulingan Badung. Jurnal Penelitian Agama Hindu, 9(3), 299-313.

Karja, I. W. (2020). Kosmologi Bali: Visualisasi Warna Pangider Bhuwana Dalam Seni Lukis Kontemporer. Denpasar: UNHI Press.

Keltner-McNeil, N., & Banfield, J. (2025). Liminality, Flow And Communitas In 5 Rhythms Dance. Cultural Geographies, 33(2), 217-231.

Laksmi, D. S. (2022). Ceremonial Singing: Kidung As Religious Praxis In Contemporary Bali. JOURNAL of the Institute of Oriental Studies RAS 2022, 3(21), 29-42.

Mahardika, G. (2026). Sesontengan Sebagai Representasi Budaya Dan Religius Dalam Upacara Yadnya Di Desa Banyuatis. Jurnal Penelitian Agama Hindu, 10(2), 101-118.

Noor, H. A., Erfiani, N. M. D., & Dewi, N. L. D. S. (2025). Semiotics Analysis Of Balinese Culture In Wonderful Indonesia Advertisements. JAKADARA: Jurnal Ekonomika, Bisnis, dan Humaniora, 4(3), 231-242.

Rosdahliani, R. (2025). Ritual Dan Tradisi Sebagai Identitas Budaya: Kajian Antropologi Di Masyarakat Indonesia. Jurnal Ilmu Bahasa, Sastra, dan Budaya, 1(1), 8-13.

Saputra, I. M. D. (2018). Wacana Ida Ratu Gede Mas Macaling Dalem Nusa Penida Klungkung. Kalangwan: Jurnal Pendidikan Agama, Bahasa dan Sastra, 8(1), 33-42.

Sari, A. P. (2024). Gamelan Bali Dalam Konstelasi Filosofis Dan Estetik. SPHATIKA: Jurnal Teologi, 15(1), 34-46.

Satyawan, M., Wisarja, I. K., & Bintang, I. A. P. (2025). Baris Wayang Dance: Ritual Meaning And Community Perception In Balinese Hinduism. Life and Death: Journal of Eschatology, 3(1), 57-71.

Sumiartha, I. N. W. (2022). Eksistensi Pementasan Tari Barong Dan Rangda. Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat, 5(2), 71-84.

Wahyuni, I. G. A. D. (2025). Teologi Kontekstual Dalam Ekspresi Sakral Tari Rejang Keraman di Bali. Jurnal Penelitian Agama Hindu, 9(4), 89-108.

Wibawa, A. P., Artha, I. G. A. I. B., & Pramayasa, I. M. H. M. (2026). The Meaning Of The Rangda Symbol: Representation Of Balinese Women's Power In Manuscripts And Visual Culture. Panggung, 36(1), 112-132.

Wicaksandita, I. D. K. (2025). Konsep Estetika Hindu Dalam Seni Pertunjukan Wayang. Panggung: Jurnal Seni Budaya, 35(3), 419-441.

Wirawan, K. I. (2019). Liturgi Sakralisasi Barong-Rangda: Eksplorasi Teo-Filosofis Estetik Mistik Bali. Mudra Jurnal Seni Budaya, 34(3), 417-427.

Wirawan, K. I. (2021). Teo-Etika Hindu Pada Pementasan Tari Sakral Rangda Dalam Prosesi Napak Siti. Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan, 21(1), 83-89.

Wiyani, K. (2024). Tinjauan Semiotika Makna Simbolik Warna Dalam Ritual Hindu di Bali. ŚRUTI: Jurnal Agama Hindu, 5(1), 62-72.

Yasa, I. K. A. (2024). Konstruksi Sosial dan Spiritual Dalam Regenerasi Penari Topeng Sidhakarya. Maha Widya Duta: Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi, 8(2), 111-119.

Zoetmulder, P. J. (1983). Kalangwan: Sastra Jawa Kuno Selayang Pandang. Jakarta: Djambatan.

Downloads

Published

04-06-2026

How to Cite

Manuaba, I. A. I. A., Dian Saputra, I. M., & Sugiharta, I. P. S. O. (2026). Transformasi Spiritual Dalam Ucap-Ucap Rangda Pementasan Napak Pertiwi Pura Dalem Penataran Banjar Taman Sari Sanur. Metta : Jurnal Ilmu Multidisiplin, 6(2), 29–43. https://doi.org/10.37329/metta.v6i2.5448

Issue

Section

Articles