Wayang Kulit Bali Sebagai Media Komunikasi

Authors

  • Ida Bagus Wika Krishna STAHN Mpu Kuturan Singaraja
  • Ida Bagus Putu Eka Suadnyana STAHN Mpu Kuturan Singaraja

Keywords:

Balinese Wayang Kulit, Communication Media

Abstract

Communication of traditional wayang kulit performance art as one of the communication media that still has a place of honor and is favored by the majority of Balinese Hindus. The main function of the Balinese shadow puppet show is a dish that is enjoyed as a spectacle, but the shadow puppet show is sometimes coupled with certain ceremonies. Due to the existence of public trust in the sacred value of shadow puppets and can also be integrated with ceremonies that are held, complementary, or only accompanying. The ceremony is intended to glorify the ancestors, expressing gratitude and relating to a request is an important event that is considered sacred and needs to be completed or accompanied by performing arts at the time of its implementation. The Balinese shadow puppet show is presented in one form of story in the play so that the shadow puppet show contains a lot of value in it. The Balinese wayang kulit performance as a classic communication medium that presents various functions such as conveying information, teaching, and moral education does not only use classical or traditional values. Puppet shows also present universal values ​​such as depictions of human life, good behavior that must be chosen by humans.

References

Bastomi, Suwaji, 1993, Nilai-Nilai Seni Pewayangan. Semarang : Dahara Prize.
Dibia, I Wayan. “ Dari Wacak ke Kocak” Mudra 3, III, 1995 : 51-68.
Groenendael, Victoria M. Clara Van, 1987, Dalang Di Balik Wayang. Jakarta : PT Pustaka Utama Grafiti.
Hobart, Angela.1987. Dancing Shadow of Bali, Theatre and Myth. London and New York : KPI
Jaeni, 2012, Komunikasi Estetik Menggagas Kajian Seni dari Peristiwa Komunikasi Pertunjukan. Bogor : Institut Pertanian Bogor Press.
Kartodirdjo, Sartono, 1976, Sejarah Nasional Indonesia Jilid II. Jakarta : Departemen Pendidikan Dan Kebudayaan.
Kartodirdjo, Sartono, 1982, Pemikiran Dan Perkembangan Historiografi Indonesia Suatu Alternatif. Jakarta : Gramedia.
Kementrian komunikasi dan Informatika RI, 2001, Wayang Sebagai Media Komunikasi Tradisional Dalam Diseminasi Informasi, Jakarta: Kementiran Komunikasi Dan Informatika RI).
Mulyono, Sri, 1983, Simbolisme Dan Mistikisme Dalam Wayang Sebuah Tinjauan Filosofis. Jakarta : Gunung Agung.
Muyono, Sri, 1978, Wayang Asal Usul, Filsafat Dan Masa Depannya. Jakarta : Gunung Agung.
Poesponegoro dan Notosusanto, 1984. Sejarah Nasional Indonesia II. Jakarta : PN Balai Pustaka
Soedarsono, 1974, Beberapa Catatan Tentang Seni Pertunjukan Indonesia. Yogyakarta : Konservatori Tari Indonesia.
Solichin, 2010. Wayang Masterpiece Seni Budaya Dunia. Jakarta. Sinergi Persadatama Foundation.
Sutaba, dkk. 2007. Sejarah Gianyar Dari Jaman Prasejarah Sampai Masa Baru-Modern. Gianyar : Pemerintah Kabupaten Gianyar, Badan Penelitian Dan Pengembangan Daerah.
Wicaksana, I Dewa Ketut. 2007. Wayang Sapuh Leger Fungsi dan Maknanya dalam Masyarakat Bali. Denpasar : Pustaka Bali Post

Downloads

Published

16-01-2020

How to Cite

Wika Krishna, I. B. ., & Eka Suadnyana, I. B. P. . (2020). Wayang Kulit Bali Sebagai Media Komunikasi. Ganaya : Jurnal Ilmu Sosial Dan Humaniora, 2(2-3), 164–171. Retrieved from https://jayapanguspress.penerbit.org/index.php/ganaya/article/view/399

Issue

Section

Articles