Transformasi Sistem Pertunjukan Jegog Dalam Pariwisata Budaya
Pelestarian Budaya Dan Penguatan Identitas Komunitas Di Desa Adat Kertha Jaya Pendem
DOI:
https://doi.org/10.37329/ganaya.v9i3.5653Keywords:
Jegog, Artistic Transformation, Performance System, Cultural Tourism, Cultural PreservationAbstract
Jegog, a large bamboo musical ensemble originating from Jembrana, has increasingly expanded from communal performances into cultural tourism. This study examines the factors driving its transformation, the changes in its performance system, and the implications for cultural preservation and community identity in Kertha Jaya Pendem Customary Village. The study employed a qualitative descriptive approach with ethnographic and phenomenological orientations. Data were collected from September to October 2025 through non-participant observation, semi-structured interviews with four key informants, and documentation, and were analyzed using an interactive model involving data reduction, data display, and conclusion drawing. The findings show that the transformation of Jegog is driven by internal factors, including regeneration, artistic creativity, changing group orientations, and limited resources, as well as external factors such as tourism demand, government facilitation, media exposure, and technological development. The performance system has changed through shorter duration, selective and communicative repertoires, rearranged sequences, faster tempo, strengthened visual choreography, more elaborate costumes and stage settings, shifts in performance spaces, and more interactive audience relations. These changes increase performance opportunities, public recognition, youth participation, and economic benefits, but may weaken cultural meaning when technical skills are transmitted without adequate historical, social, and customary understanding. The main finding is a two-context adaptation model, in which inherited conventions are maintained in customary and communal performances, while controlled innovation is permitted in tourism performances. This model demonstrates that transformation can support cultural preservation when the community retains authority over the boundaries and meanings of change.
References
Amani, K. Z., & Mangruwa, R. (2025). The Strategic Marketing Of Community-Based Sustainable Tourism With A Three-Phase Framework. Jurnal Ilmiah Manajemen Kesatuan, 13(5), 3639-3650.
Bandem, I. M., & deBoer, F. E. (1995). Kaja And Kelod: Balinese Dance In Transition. Oxford: Oxford University Press.
Bertha, A. A., & Larasati, A. F. H. (2022). Komodifikasi Tari Kecak Sebagai Produk Wisata Global dan Dampaknya Terhadap Nilai-Nilai Spiritual Masyarakat Bali. TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra, 2(4), 8-12.
Clairine, A., Wiyono, E. N., & Lestari, E. (2024). Transformasi Makna Tari Gandrung: Studi Sosiologi Budaya Melalui Perspektif Orientalisme Edward Said. Moderasi: Jurnal Studi Ilmu Pengetahuan Sosial, 5(1), 55-70.
Dewi, R. N. M. S. P., Natalia, D., & Lorenza, F. A. (2023). Pariwisata Berkelanjutan Sebagai Upaya Penguatan Destinasi Wisata Pascapandemi di Desa Ekowisata Pancoh, Sleman, Yogyakarta. Jurnal Ilmiah Pariwisata, 28(2), 152-166.
Dibia, I. W. (2017). Balinese Performing Arts: Continuity And Change. Mudra: Jurnal Seni Budaya, 32(2), 213-221.
Dwipayana, I. K. W., Wajdi, M., Sutiarso, M. A., Zulfan, M., & Aruku, K. J. (2025). The Exploring The Role Of Balinese Gamelan In Shaping Tourist Experiences And Tourism Growth In Bali. Kajian Pendidikan, Seni, Budaya, Sosial dan Lingkungan, 2(2), 176-187.
Fitriaty, F., Amin, S., Musnaini, M., Elliyana, D., & Saputra, M. H. (2024). Sustainable Strategy Toward Community Life Satisfaction In Heritage Tourism. Jurnal Kepariwisataan Indonesia: Jurnal Penelitian dan Pengembangan Kepariwisataan Indonesia, 18(2), 257-286.
Fridayanti, K. M., & Mahendrayana, G. (2022). Jargon Used By Jegog Musician In Jembrana’s Local Tradition. Jurnal Pendidikan Bahasa Inggris Undiksha, 10(3), 315-321.
Indrawan, I. K. D., Mustika, I. K., & Pemayun, T. U. N. (2023). Facial Expressions According To Tones On Jegog Leaf Blade As A Source Of Installation Art Works Creation. Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni, 3(2), 190-196.
Juniawan, I. M. (2023). Membangun Pariwisata Berkelanjutan: Ekowisata di Desa Tista, Tabanan, Bali. Jurnal IPTA (Industri Perjalanan Wisata), 11(1), 58-63.
Picard, M. (1996). Bali: Cultural Tourism And Touristic Culture. San Diego: Archipelago Press.
Pramana, I. P. R. B., Yudarta, I. G., & Santosa, H. (2023). “Goak Ngolol,” transformasi Jegog ke JES Gamelan Fusion. Journal of Music Science, Technology, and Industry, 6(2), 333-344.
Putra, A. G. I., Hermanto, B., & Winoto, Y. (2025). Strategi Keberlanjutan Desa Wisata Bandasari Melalui Community-Based Tourism Dan Pendekatan Sociopreneurship. Altasia: Jurnal Pariwisata Indonesia, 7(2), 353-367.
Ramdhani, A. H. (2021). Transformasi Etno-Musik Tradisional Sasak: Evolusi Budaya Dan Pertentangan Kelas. ASANKA: Journal of Social Science and Education, 2(1), 1-18.
Riyanto, F., & Nugraha, A. (2023). Development Of Community-Based Tourism Village Through Local Community Participation (A Literature Review): Pengembangan Desa Wisata Berbasis Partisipasi Masyarakat Lokal (Sebuah Studi Literatur). MULTIPLE: Journal of Global and Multidisciplinary, 1(3), 223-233.
Schechner, R. (2013). Performance Studies: An Introduction. Abingdon-on-Thames: Routledge.
Setyani, N. H., Bintarawati, F., & Fittria, A. (2024). Pengembangan Wisata Halal Dan Destination Branding Di Komunitas Kelompok Sadar Wisata (Pokdarwis) Desa Wisata. Jurnal Pembelajaran Pemberdayaan Masyarakat (JP2M), 5(4), 837-847.
Stepputat, K. (2006). Nice ’n’ Easy The Balinese Gamelan Rindik: Its Music, Musicians, And Value As Tourist Art. Asian Music, 37(2), 84-121.
Sudana, I. M., & Adi, I. K. K. (2023). Gamelan Jegog: Fungsi, Instrumentasi, Dan Musikalitasnya. AWILARAS: Jurnal Musik Bambu, 10(1), 75-87.
Sujayanthi, N. W. M., & Hartini, N. P. (2023). Balinese Karawitan Arts As A Media For Character Education And Preservation Of Balinese Cultural Arts. MUDRA: Jurnal Seni Budaya, 38(4), 452-457.
Sukerna, I. N., & Setiawan, A. (2023). Mabarung Jegog: Contestation In Music Competitions In Jembrana, Bali, Indonesia. ISVS e-Journal, 10(11), 254-271.
Wiweka, K., & Pickel-Chevalier, S. (2022). Bali Tourism Research Trends: A Systematic Review, 1976-2022. Jurnal Kajian Bali (Journal of Bali Studies), 12(2), 600-626.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 I Wayan Sunardi, I Nengah Bawa Atmaja, I Nyoman Raka (Author)

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
An author who publishes in the Ganaya : Jurnal Ilmu Sosial dan Humaniora agrees to the following terms:
- Author retains the copyright and grants the journal the right of first publication of the work simultaneously licensed under the Creative Commons Attribution-ShareAlike 4.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal
- Author is able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book) with the acknowledgement of its initial publication in this journal.
- Author is permitted and encouraged to post his/her work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of the published work (See The Effect of Open Access).
Read more about the Creative Commons Attribution-ShareAlike 4.0 Licence here: https://creativecommons.org/licenses/by-sa/4.0/.



