Penggunaan Dan Pemenuhan Kebutuhan Pemirsa Drama Serial Sebagai Upaya Mempertahankan Tayangan Program Televisi India Di ANTV
Keywords:
Broadcasting, Television, Uses and Gratifications, Watching EngagementAbstract
Currently, private television faces the challenges of the digital broadcast industry. Even so, television stations still have the potential to survive through the industrial competition by giving shows that have an impact to the audience. In the face of competition, social adjustment and integration are very important, but another thing that must also be fulfilled is how to increase the viewers involvement. This study aims to understand the factors that affect the viewer's intentions to get involved in a television program using the theory of Uses and Gratifications approach. This study uses a quantitative approach using primary data in the form of a Likert scale. The population in this study is the audience of Indian television drama series on ANTV. According to the Nielsen ABG data in the October-December 2019, 100 respondents were determined as research samples. Data analysis was performed with Structural Equation Modeling (SEM) using Partial Least Square (PLS). The results in this study indicate Entertainment / Relaxation (T Stat = 3,652), Social Escape & Interaction (T Stat = 2,269) Pass Time (T Stat = 2,549), and Companionship (T Stat = 3,850) proved to have a significant positive effect on Watching engagement. Research shows that Watching engagement strongly (85%) influences the independent variables. However, Information seeking was the only insignificant variable for watching engagement. This open an opportunities for a further research to explore the potential relationships and influences that can be optimized in the approach to the needs of the motives of use and fulfillment of the needs (Uses and Gratifications) of television media with studies related to Watching Engagement, especially in other television serial drama programs in similar industries.
References
AGB Nielsen Media Research. (2020). Rating dan Share Program Serial India di ANTV.
Andrejevic, M. (2008). Watching Television Without Pity: The Productivity of Online Fans. Television & New Media, 9(1), 24–46. https://doi.org/10.1177/1527476407307241
Bagozzi, R. P., & Yi, Y. (1988). On the evaluation of structural equation models. Journal of the Academy of Marketing Science, 16(1), 74–94. https://doi.org/10.1007/BF02723327
Balci, S. &, & Ayhan, B. (2015). Pattern of television viewing behavior in kyrgystan. Bilig, (75), 275–312.
Balci Sukru, et al. (2011). Televizyon Ve Seçmen Ilişkisini Yeniden Düşünmek: 2009 Yerel Seçimleri’nde Izleyici Motivasyonlari. (february 2016).
Bhatt, A., & Singh, G. (2017). A study of television viewing habits among rural women of Tehri Garhwal District. IOSR Journal of Humanities and Social Science, 22(7), 44–56. https://doi.org/10.9790/0837-2207024456
CANÖZ, N. (2016). Selçuk Üniversitesi türkiyat araştırmaları dergisi : uluslararası hakemli dergi. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, 1(39), 423–441. Retrieved from http://sutad.selcuk.edu.tr/sutad/article/view/841/759
Cha, J. (2019). Social television engagement: An examination of content, interpersonal, and medium relationships. https://doi.org/doi.org/10.5210/fm.v24i1.8548.
Çöloğlu, D. Ö. (2010). Televizyon Mesih Mi Şeytan Mı?: Televizyon ve Şiddet Üzerine. Ankara: Ütopya Yay.
Feijter De, et al. (2016). Dimph de Feijter NHTV , Breda University of Applied Sciences Vassilis-Javed Khan Eindhoven University of Technology Marnix S . van Gisbergen Applied Sciences. ACM Digital Library, 59–67. https://doi.org/doi.org/10.1145/2932206.2932216
Flayelle, M., Canale, N., Vögele, C., Karila, L., Maurage, P., & Billieux, J. (2019). Assessing binge-watching behaviors: Development and validation of the “Watching TV Series Motives” and “Binge-watching Engagement and Symptoms” questionnaires. Computers in Human Behavior, 90, 26–36. https://doi.org/10.1016/j.chb.2018.08.022
James Hirsen. (2015). Streaming causes Trouble Cable TV ratings | Newsmax.com. Retrieved January 21, 2020, from https://www.newsmax.com/Hirsen/Cable-Streaming-HBO-ratings/2015/03/16/id/630328/
John Biggs. (2017). “Worst quarter for paid TV subscriptions points to a cord cutting future.” Retrieved from https://techcrunch.com/2017/05/04/worst-quarter-for-paid-tv-subscriptions-points-to-a-cord-cutting-future/
Karaboğa, T. (2010). Medya ve toplum İlişkileri: Televizyon Haberlerinde şiddetin İncelenmesine Yönelik Bir Araştırma. Ankara: Karınca Yay.
Katz, E., & Foulkes, D. (1962). On the Use of the Mass Media as “Escape”: Clarification of a Concept. Public Opinion Quarterly, 26(3), 377. https://doi.org/10.1086/267111
Laswell, H. (1948). The Structure and Function of Communication in Society. The Communication of Ideas (E. Bryson, L., Ed.). Institute for Religious and Social Studies.
Matthew Pitman, K. S. (2015). Sprinting a media marathon: Uses and gratifications of binge-watching television through Netflix | Pittman | First Monday. https://doi.org/doi.org/10.5210/fm.v20i10.6138
McQuail, D., & Windahl, S. (1997). Denis McQuail-Sven Windahl-iletisimModelleri.pdf. Retrieved January 22, 2020, from https://id.scribd.com/doc/311293178/Denis-McQuail-Sven-Windahl-iletisimModelleri-pdf
Morissan, M. (2011). Jurnalistik Televisi Mutakhir. Prenadamedia.
Mustafa, K. (2013). Televizyon Izleme Alişkanliklari Ve Motivasyonlari: Kayseri Örneği. (September 2012).
Mutlu, E. (2005). Globalleşme Popüler Kültür ve Medya - Erol Mutlu | kitapyurdu.com. Retrieved January 21, 2020, from https://www.kitapyurdu.com/kitap/globallesme-populer-kultur-ve-medya/75381.html
Nielsen. (2017). “Super Bowl LI draws 111.3 million TV viewers, 190.8 million social media interactions.” Retrieved from http://www.nielsen.com/us/en/insights/news/2017/super-bowl-li-draws-111-3-million-tv-viewers-190-8-million-social-media-interactions.html
Pintarto, A. B. (2009). Motif Pelanggan dan Tingkat Kepuasan Pelangan Televisi Kabel Provider JOGJA MEDIANET di Daerah Istimewa Yogyakarta. Skripsi Tidak Diterbitkan.
Razu, S. R., Yeasmin, N., & Islam, S. S. (2019). Impact of Indian Drama Serials on Bangladeshi Culture: A Qualitative Study Based on Perceived Situation and Risk Factors in Urban Setting. Social Communication, 4(2), 59–69. https://doi.org/10.2478/sc-2018-0015
Ruggiero, T. E. (2018). Uses and Gratifications Theory in the 21st Century. Refining Milestone Mass Communications Theories for the 21st Century, (April 2013), 36–70. https://doi.org/10.4324/9781315679402-4
SimilarWeb. (2020). Netflix App Ranking and Market Share Stats in Google Play Store. Retrieved January 21, 2020, from https://www.similarweb.com/app/google-play/com.netflix.mediaclient/statistics#trafficSources
Steiner, E., & Xu, K. (2018). Binge-watching motivates change. Convergence: The International Journal of Research into New Media Technologies, (April), 135485651775036. https://doi.org/10.1177/1354856517750365
Sussman, S., & Moran, M. B. (2013). Hidden addiction: Television. Journal of Behavioral Addictions, 2(3), 125–132. https://doi.org/10.1556/JBA.2.2013.008
Tony Maglio. (2017). “How much each broadcast net’s TV ratings are down from last year — so far.”
Walker, A. (2015). “How Twitter is warping your favorite TV shows.” Retrieved from http://theweek.com/articles/577523/how-twitter-warping-favorite-tv-shows%0A
Wang, Q., Fink, E. L., & Cai, D. A. (2008). Loneliness, gender, and parasocial interaction: A uses and gratifications approach. Communication Quarterly, 56(1), 87–109. https://doi.org/10.1080/01463370701839057
Wilson, K. (2014). “Does social media boost TV ratings?” Retrieved from http://www.netnewscheck.com/article/33647/do-social-media-boost-tv-ratings
Yang, L. (2019). How IMC Fundamentals Transform Careers.
Zoebazary, I. (2010). Kamus istilah televisi & film. Gramedia Pustaka Utama.
Downloads
Published
How to Cite
Issue
Section
License
An author who publishes in the Ganaya : Jurnal Ilmu Sosial dan Humaniora agrees to the following terms:
- Author retains the copyright and grants the journal the right of first publication of the work simultaneously licensed under the Creative Commons Attribution-ShareAlike 4.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal
- Author is able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book) with the acknowledgement of its initial publication in this journal.
- Author is permitted and encouraged to post his/her work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of the published work (See The Effect of Open Access).
Read more about the Creative Commons Attribution-ShareAlike 4.0 Licence here: https://creativecommons.org/licenses/by-sa/4.0/.