Perancangan Panyacah Awig Rejang Pala dalam Penguatan Ekosistem Tari Rejang Pala
DOI:
https://doi.org/10.37329/ganaya.v5i1.1546Keywords:
Awig-awig, Rejang Pala, Ecosystem, Panyacah AwigAbstract
The Karangasem district has a wealth of rejang rituals spreading throughout several of its sub-districts and handed down through the ages to these days. The community’s constancy in preserving the rejang tradition is a true reflection of the power of written and unwritten set of customary rules (awig-awig). The Rejang Pala from the traditional village of Nongan in the sub-district of Rendang, in the district of Karangasem disappeared in 1917 following the terrifying earthquake that hit Bali on that year. It is therefore imperative that its existence in the village written awig-awig should be restored. The aim of this is to strengthen the dance ecosystem after a reconstructed choreography was successfully made in 2019. Efforts to include the rejang as part of the awig-awig should be preceded by planning the design of the payacah awig, that is, an elaboration of article after article of the awig-awig by means of a research applying a qualitative methodology. Observation should be carried out in several ancient villages where the tradition of rejang has been handed down, complemented with interviews, literature studies and documentation. The data analysis and the compilation of the report should be descriptive. The outcome of the research should include the following elements of the Rejang Pala’s panyacah awig, formulated through: 1) a self-critic of the reconstruction process up to the launching of the dance (makebah); 2) an inquiry into whatever rules pertaining to the planning and design of the Rejang Pala’s panyacah awig in line with the characteristics of the local villages and 3) formulation of the design of the Rejang Pala’s panyacah awig in line with the characteristics of the local villages. Finally, it is hoped that the design of the panyacah awig will result in the revival of the Rejang Pala for the benefit of the culture and the welfare of the custodians of this cultural heritage.
References
Bandem, I Made, & F. E. deBoer. (2004). Kaja dan Kelod, Tarian Bali dalam Transisi. Badan Penerbit Institut Seni Indonesia Jogjakarta.
Dwipayana, I. Made, & Tim Perumus. (2013). Awig-Awig Desa Pakraman Nongan. Desa Pakraman Nongan, Rendang, Karangasem.
Eiseman, F. B. J. (1995). Sekala And Niskala, Volume II: Essays on Society, Tradition, and Craft (cetakan ke). Periplus Edition (HK) Ltd.
Endraswara, S. (2006). Metodologi Penelitian Kebudayaan. Gadjah Mada University Press.
Gunarta, I. W. A., & Satyani, I. A. W. A. (2020). Tari Rejang Pala Di Desa Nongan, Kecamatan Rendang, Kabupaten Karangasem: Kajian Bentuk Dan Fungsi. Mudra Jurnal Seni Budaya, 35(2), 172–181. https://doi.org/10.31091/mudra.v35i2.1049
Hadi, S. Y. (2018). Revitalisasi Seni Pertunjukan Tradisi Sebagai Salah Satu Cara Membangun Identitas Peradaban Budaya Bangsa. Dalam: Seminar Seni Pertunjukan, Fakultas Seni Pertunjukan ISI Denpasar, 18 April.
Kantriani, Ni Ketut. (2018). Pengaturan Penduduk Pendatang (Krama Tamiu) Ditinjau Dari Hukum Adat. Vyahara Duta, XIII (1), 63-70. https//: ejournal.ihdn.ac.id
Krinawati, Eva. (2017). Menguatnya Perda Adat Pada Pembentukan Perda Daerah. Jurnal Legislasi Indonesia, 14 (2), 223-232
Listriani, N. K., Wardana Yasa, I. K., & Dharma Putra, A. P. (2019). Tradisi Ngusaba Gedebong sebagai Media Penyuluhan Nilai-Nilai Tri Kerangka Dasar Agama Hindu. Kamaya, Jurnal Ilmu Agama, 2(2019), 174–183.
Mahadewi, I. G. A. M., Sukadana, I. K., & Suryani, L. P. (2020). Pengesahan Awig-Awig Desa Adat Berdasarkan Peraturan. Jurnal Konstruksi Hukum, 1(1), 187–191.
Mariasa, I. N. (2015). Rejang Kuningan di Kecamatan Abang Kabupaten Karangasem, Bali: Aspek Bentuk, Fungsi, Dan Makna. Pasca Sarjana Universitas Gajah Mada Yogyakarta.
Melati, Ni Ketut Santi Sukma. (2020). Eksistensi Tari Rejang Tista, Kecamatan Abang, Kabupaten Karangasem. Pasca Sarjana Intsitut Seni Indonesia Denpasar.
Putrawan, I Nym Alit., Widnyana, I M.A., Ekasana, I M.S., Asih, Desyanti Suka.,& Vedanti, I G.A.J.M. (2021). Penerapan Ajaran Tri Hita Karana dalam Penyusunan Awig-Awig Sekaa Teruna Taman Sari, Di Banjar Lantang Bejuh, Desa Adat Sesetan. Jayapangus Press Jurnal Penelitian Agama Hindu, 5 (2), 98-105.
Rai, I Gusti Lanang, & tim perumus. Awig-Awig Desa Adat Duda. Desa Adat Duda Selat, Karangasem
Satyani, I. A. W. A., & Gunarta, I. W. A. (2018). Rejang Di Pura Balang Tamak , Warisan Budaya Desa Nongan. Mudra Jurnal Seni Budaya, 6(1), 1–9.
Satyani, I.A.W.A., & Gunarta, I.W.A. (2020). Reka Ulang Koreografi Rejang Pala, Setelah 100 Tahun Menghilang: Sebuah Rekonstruksi Imajinatif. Mudra Jurnal Seni Budaya, 36(1), 33-45.
Soedarsono, R.M. (2002). Seni Pertunjukan Indonesia di Era Globalisasi. Gadjah Mada University Press Yogyakarta.
Sudiatmaka, Ketut & Apasari Hadi, I G.A. (2018). Penyuratan Awig-Awig Desa Pakraman. Jurnal Komunikasi Hukum (JKH), 4(1), 47-58
Wibawa, I. P. S., Gelgel, I. P., & Martha, I. W. (2020). Tata Cara Penyuratan Dan Pendaftaran Awig-Awig Desa Adat Di Bali (Dari Desa Mawacara Ke Bali Mawacara ). 35(September), 257–265.
Windia, Wayan. (2018). Kebertahanan Subak di Era Globalisasi. Bali Membangun Bali, Jurnal BAPPEDA LITBANG, 1 (2), 125-147.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Ida Ayu Wayan Arya Satyani, I Wayan Adi Gunarta (Author)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
An author who publishes in the Ganaya : Jurnal Ilmu Sosial dan Humaniora agrees to the following terms:
- Author retains the copyright and grants the journal the right of first publication of the work simultaneously licensed under the Creative Commons Attribution-ShareAlike 4.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal
- Author is able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book) with the acknowledgement of its initial publication in this journal.
- Author is permitted and encouraged to post his/her work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of the published work (See The Effect of Open Access).
Read more about the Creative Commons Attribution-ShareAlike 4.0 Licence here: https://creativecommons.org/licenses/by-sa/4.0/.
