Esensi Rerajahan Yama Raja Pada Upacara Usaba Manggung Aci Sumbu Di Desa Bugbug Karangasem Perspektif Pendidikan Seni Rupa Hindu

Authors

  • I Kadek Sumadiyasa UNHI Denpasar
  • I Wayan Arissusila UNHI Denpasar

Keywords:

Essence, Yama Raja, Hindu Theology

Abstract

Rerajahan is a religious Hindu fine art in the usaba manggung aci sumbu ceremony for Bugbug village people in Karangasem. The form of rerajahan made is known as Yamaraja. It is very interesting to be researched in Hindu fine art theology perspective, with problem: how is the procession of making rerajahan Yamaraja at Usaba Manggung Aci Sumbu  ceremony in Bugbug village, how is the essence of rerajahan Yamaraja, how is the form of rerajahan Yamaraja in theology perspective of Hindu fine art in Bugbug village Karangasem. This research is aimed to develop the Hindu based scientific studies and as contribution of teaching material om Fine Art Education and Hindu Ornament study program of UNHI. The theory used in this research is sacred theory that discuss the procession problem in making rerajahan, symbol theory to discuss the essence in rerajahan, reasonable limit theory to discuss the form of rerajahan yamaraja  in theology perspective of Hindu Fine Art. Research method used is qualitative method {Bogdan and Bien 1982} with object Rerajahan Yamaraja at Usaba Manggung Aci Sumbu ceremony in Bugbug village Karangasem, using Hindu Fine Art theology approach. The research location is Bugbug village Karangasem, descriptive qualitative data type according to the opinion og Bogdan and Bikleri 1982, with primary data sources in the form of interview with Bugbug village elders, secondary data in the form of books. Information technique uses purposive sampling, data collection through passive participation observation, unstructured interview, books documentation, photos and library study, data analysis technique in accordance with Milles Huberman 1992, and data validation technique by using triangulation method according to the opinion of Denkein. The result of procession analysis of rerajahan Yamaraja at Usaba Munggung Aci Sumbu ceremony started krama desa tedun, pewintenan, pecaruan, nyeket yamaraja,mubuh pamor,nyawi,pasupati pebantenan usaba manggung and rerejangan,bhetara tirte tedun,nunas tirte.  from the essence consist of; release and harmonization. The form of rerajahan in Hindu Fine Art theology perspective: Manifestation of God, Manifestation of Butha, Manifestation of God Yama Raja

References

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Bogdan dan Tylor, 1992. Analisis Data Penelitian Kualitatif Suatu Pendekatan Fenomonologis Terhadap Ilmu-Ilmu Sosial. Surabaya : Usaha Nasional.
Bhagavad Gita, Koleksi Dokumentasi Dinas Kebudayaan Propinsi Bali.
Titib, I Made, 1996. Veda, Sabda Suci, Pedoman Praktis Kehidupan. Surabaya : Paramita.
Titib, I Made, 2003. Purana Sumber Ajaran Agama Hindu Komprehensif. Jakarta : Pustaka Mitrajaya.
Titib, I Made, 2003. Teologi dan Simbol-simbol dalam Agama Hindu. Surabaya : Paramita.
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Milles Hubuman, 1992. Analisis Data Kualitatif. Jakarta : Unipersitas Indonesia.
Kitab Menawadharma Sastra, Koleksi Dokumentasi Dinas Kebudayaan Propinsi Bali.

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Published

17-10-2020

How to Cite

Sumadiyasa, I. K., & Arissusila, I. W. (2020). Esensi Rerajahan Yama Raja Pada Upacara Usaba Manggung Aci Sumbu Di Desa Bugbug Karangasem Perspektif Pendidikan Seni Rupa Hindu . Cetta: Jurnal Ilmu Pendidikan, 3(3), 418–430. Retrieved from https://jayapanguspress.penerbit.org/index.php/cetta/article/view/540

Issue

Vol. 3 No. 3 (2020)

Section

Articles

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