Estetika Dalam Tradisi Sakral

Telaah Filosofis Atas Praktik Ritual Di Desa Gulingan Badung

Authors

  • I Putu Ariyasa Darmawan Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

DOI:

https://doi.org/10.37329/jpah.v9i3.4407

Keywords:

Sacred Art, Hindu Aesthetics, Tri Hita Karana, Community Spirituality

Abstract

Art in Balinese Hindu society functions not merely as an aesthetic expression, but as an integral component of ritual practices that reflect cosmological and spiritual values. Gulingan Village in Badung serves as a significant locus for the preservation and transformation of sacred art, yet philosophical studies that position art as a medium of spiritual transcendence within Hindu aesthetics remain limited, particularly within customary communities. This study aims to explore in depth the roles and meanings of art in the religious practices of the Gulingan community, emphasizing the symbolic, spiritual, and social dimensions embedded in sacred artistic expressions. The research employs a qualitative method with a phenomenological approach, utilizing in-depth interviews, participatory observation, and documentation of artistic practices. The findings reveal that art in Gulingan is perceived as an act of devotion and a medium for uniting humans, nature, and the divine, as embodied in the Hindu aesthetic principles of Satyam, Śivam, and Sundaram. Art serves a symbolic and pedagogical function as a sacred language that reinforces spiritual awareness and cultural identity. Community participation in transmitting these artistic traditions also fosters a space for dialogue between tradition and modernity. In conclusion, art in Gulingan is not merely an aesthetic expression but a cosmological and transformative medium that binds spiritual, social, and ecological relationships into a unified value system. Art plays an active role in fostering social cohesion, maintaining spiritual continuity, and articulating the values of Tri Hita Karana in the daily lives of Gulingan communities. This study contributes to the development of Hindu aesthetic discourse by highlighting how sacred art functions as a living philosophical praxis within a local community context, thereby enriching the field of community-based sacred art studies.

References

Agung, I. G. N. P. (2023). Barong Bulu Goak in The Perspective of Hindu Philosophy. International Journal of Art and Socio-Cultural Studies, 1(1), 73–86.

Agung, I. G. N. P. (2025). Barong Bulu Goak Dalam Kajian Teo Estetika Hindu. Jurnal Penelitian Agama Hindu, 9(1), 27–36.

Anggrian, M., & Iksan, N. (2022). Seni Dalam Dimensi Ekologi: Peran Insan Seni Dalam Advokasi Isu Lingkungan. Brikolase: Jurnal Kajian Teori, Praktik Dan Wacana Seni Budaya Rupa, 14(2), 153–170.

Astraguna, I. W. (2022). Komunikasi Estetik Dalam Pementasan Tari Topeng Sidhakarya Pada Praktik Keagamaan Masyarakat Hindu Bali. Sadharananikarana: Jurnal Ilmiah Komunikasi Hindu, 4(1), 633–651.

Dirgantini, A. A. D., & Sudarsana, I. M. (2020). Tradisi Patangkilan Barong Di Pura Penataran Agung Puri Agung Singapadu Gianyar. Widyanatya, 2(02), 11–17.

Donder, I. K. (2005). Esensi Bunyi Gamelan Dalam Prosesi Ritual Hindu Perspektif Filosofis-Teologis, Psikologis, Sosiologis, Dan Sains. Surabaya: Paramita.

Duija, I. N. (2008). Ekspresi Seni Masyarakat Tradisional Desa Adat Penglipuran Bangli Sebagai Sarana Pemujaan Kepada Tuhan (Kajan Bentuk, Fungsi, dan Makna). Mudra Jurnal Seni Budaya, 22(1).

Hadi, S. (2006). Seni Dalam Ritual Agama. Pusaka.

Krishnanandayani, J. D., & Maheswari, P. D. (2024). Menatap Tuhan Dalam Harmoni Satyam, Sivam, Sundaram: Telaah Filosofis Atas Metafora Kosmik. Sanjiwani: Jurnal Filsafat, 15(2), 240–251.

Kurniawan, T. (2018). Simbolisme Dalam Pesta Dalok Suku Uud Danum: Perspektif Hermeneutika Paul Ricoeur. Studia Philosophica et Theologica, 18(2), 179–197.

Mawan, I. G., & Santosa, H. (2025). Estetika Posmoderen: Idealisasi Seni Karawitan dalam Agama Hindu di Bali. Jurnal Penelitian Agama Hindu, 9(1), 118–131.

Parmita, N. P. A. (2020). Totemisme Barong Gajah di Desa Blahkiuhkecamatan Abiansemal Kabupaten Badung. Dharmasmrti, 20(2), 110–124.

Putra, C., & Wardani, A. A. A. M. C. (2024). Eksplorasi Nilai-Nilai Tradisi Ramayana dalam Arsitektur Pura Desa Batuan Gianyar (Tinjauan Konsep Satyam Sivam Sundaram). Jurnal Penelitian Agama Hindu, 8(2), 274–285.

Putra, I. W. A. S., Sutriyanti, N. K., & Sentana, G. D. D. (2017). Tradisi Barong Bauh-Bauhan di Banjar Pinda Desa Saba Kecamatan Blahbatuh Kabupaten Gianyar. Jurnal Penelitian Agama Hindu, 2(1), 66–72.

Rochayati, R. (2017). Seni Tari Antara Ruang dan Waktu. Jurnal Sitakara, 2(2).

Santiago, D. F., & Asnawi, N. (2024). Tinjauan Filosofis Pragmatisme John Dewey Terhadap Persoalan Sekularisasi Agama: John Dewey’s Philosophical Review of Pragmatism on the Problem of the Secularization of Religion. Jurnal Filsafat Indonesia, 7(3), 388–397.

Sari, A. P. (2024). Gamelan Bali Dalam Konstelasi Filosofis Dan Estetik. Sphatika: Jurnal Teologi, 15(1), 34–46.

Sastrapratedja, M. (2012). Hermeneutika dan etika naratif menurut paul ricoeur. Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism, 2(2), 247–264.

Segara Nyoman Yoga. (2000). Mengenal Barong Dan Rangda. Surabaya: Paramita.

Sudiana, I. G. N. (2010). De-sacredizing of the Barong Dance Social Life in the Community Culture Bali. Mudra Jurnal Seni Budaya, 25(3), 302–313.

Sugiartha, I. G. A. (2015). Bentuk dan Konsep Estetik Musik Tradisional Bali. Panggung, 25(1).

Suhardana, K. M. (2010). Catur Marga Empat Jalan Menuju Tuhan. Surabaya: Paramita.

Tirta, I. M. D. (2019). Konstruk Estetika Hindu dalam Realitas Seni di Bali. Pangkaja: Jurnal Agama Hindu, 22(1), 90–102.

Titib, I. M. (2003). Teologi Dan Symbol-Simbol Dalam Agama Hindu. Surabaya: Paramita.

Wahyudi, A. V., & Gunawan, I. (2020). Olah tubuh dan olah rasa dalam pembelajaran seni tari terhadap pengembangan karakter. JPKS (Jurnal Pendidikan Dan Kajian Seni), 5(2).

Wirawan, K. I. (2016). Keberadaan Barong Dan Ragda Dalam Dinamika Religius Masyarakat Hindu Bali. Paramita.

Wirawan, K. I. (2018). Taksu Dalam Dramatari Calonarang: Sebuah Kajian Estetika Hindu. Widyadari, 19(1), 40–45.

Downloads

Published

03-07-2025

How to Cite

Darmawan, I. P. A. . (2025). Estetika Dalam Tradisi Sakral: Telaah Filosofis Atas Praktik Ritual Di Desa Gulingan Badung. Jurnal Penelitian Agama Hindu, 9(3), 299–313. https://doi.org/10.37329/jpah.v9i3.4407

Issue

Section

Articles